Design snapshot: Cupola kudos

I’m drawn to authentic barn cupolas, like this one. Grand, domed cupolas, the type with a belfry or lantern, can be exquisite, but it’s the hard-scrabble, yet graceful, venting cupola on a work building that speaks to me. This octagonal one is outfitted with green slatted louvers and a gently curved, somewhat-conical roof. The white roofing color reflects heat and nicely contrasts the black roofscape and moody sky. Of course, the weather vane on top is a fine form of functional grace, too. Look for another winning weather vane in a future “design snapshot”.

by Katie Hutchison for House Enthusiast

Design snapshot: Entry duality

This composition exemplifies the power of two – to reflect one on another, to contrast one to another, to connect one to another, to complement one and another, to assimilate one into another, and to attract one to another.

No, this isn’t a trick image. These symmetrical doorways likely defined two separate living quarters at one time, or perhaps, they still do. Or, maybe they addressed a duality in the household, the way Shakers had separate doors for men and women. The boldly contrasting colors of the glossy, red body/trim and the black doors lend a sophisticated Asian-infused color palette to otherwise colonial American materials and detailing. The green planters and plantings complement the powerful color scheme. Dutch doors, which by their very nature offer two (door and operable window) in one, round out this dual entry’s appealing duality.

I, for one, am smitten with these two. How about you?

by Katie Hutchison for House Enthusiast

Design snapshot: Garden amphitheater

It’s not every day that you stumble upon a National Historic Landmark. A couple of weekends ago, I did. I had just set out from a Camden B&B for my first stroll through the Maine village, when I came upon the town library. I headed to explore its grounds and shortly thereafter found myself descending into what I now know to be the Camden Amphitheatre, a National Historic Landmark.

Designed by Fletcher Steele in the late 1920’s/ early 1930’s, its gentle steps of fieldstone carve curved terraces leading to a circular, grass lawn or stage. The occasional boulder dots the geometry, and wild strawberries peak out from the crevices between stone treads. A splash of stark white birch trees stand out against the lush green backdrop and filter dappled light. Ascending stone stairs radiate off of what I imagine are compass points, and entice visitors to climb them. Maine’s rugged native materials and plant life soften the underlying formality of the design. It’s an exquisite marriage of planned and natural order. So glad I stumbled upon it.

by Katie Hutchison for the House Enthusiast

Design snapshot: Surf’s up on pseudo bay

If we could create a virtual audience-wave of support for this surfboard visor and white-capped surf window-box, we should. There’s nothing like a little creativity to animate an elevation (and distract from various utilities). This improvised composition cleverly suggests a window bay – an anthropomorphic one at that. You can’t help but smile back at the surfboard brow, casement-window eyes, exhaust-vent nose and choppy, window-box mouth. Humor in design, as elsewhere, is always a welcome asset.

by Katie Hutchison for the House Enthusiast

Design snapshot: Hopper-esque home

If I had backed farther away when capturing this photo, you might more easily recognize this oft-photographed home. But, then the image wouldn’t appear as Hopper-esque. More importantly, cropping closely helps illuminate all that is going right with the fundamentals of this dreamy dwelling.

A simple palette of white on white on white sets the quiet tone. Delicate, attenuated columns appear taller than they probably are, creating a porch that perhaps feels loftier than it is. The end wall likewise appears slender and tall, despite its mere one and one-half story height. The overall effect lends this home poise beyond its modest stature. 

Honest building materials and details -- woven side-wall shingles, red-cedar roof shingles, exposed rafter tails, wooden ovolo-edged porch gutters, square-stock balusters -- perform and delight. Landscape materials of driveway shells, a brick footpath, and a white-cedar deck beyond palpably suggest the use each serves.

Ending the porch roof in a hip brings it to a considered end, much the way a hand-drawn line, ending with weight, communicates an intention. Surrounding the porch with a low balustrade creates a semi-enclosed space better suited to containing a front bench than one without a railing. Keeping the front porch a single step above grade makes it approachable. Subtle design gestures make a difference. So, too, does a plum site…

by Katie Hutchison for the House Enthusiast